Category Archives: Arts & Culture

By Kepper Petzing | Contributing Writer

The artist behind the artist In his Concordia studio, Mark Silva is putting the final touches on a masterpiece, a photographic print created by internationally renowned landscape photographer Michael Kenna. It is likely destined for a major gallery or museum in one of a dozen countries.

Silva grew up in Oakland, CA. He earned a Master of Fine Arts in photography from the San Francisco Art Institute in 2002. Kenna and Silva began their collaboration in 2000.

“We’re like an old married couple,” Mark says, “we finish each other’s sentences.” He compares their relationship to members of a band. “Michael is the lead singer and the lead guitarist. I play bass, hopefully keeping things together.”

The collaborative process

The process begins with Kenna wandering the globe creating photographs in the early morning hours or late into the night. He’s become known as the father of night photography, with exposures ranging from minutes to 12 or more hours. He uses medium format cameras, exclusively black-and-white film and all his photographs are printed by hand in a traditional optical darkroom.

Often photographing in mist, rain, or snow, Kenna says, “I prefer suggestion over description. The world is pretty chaotic, seemingly always speeding up and getting louder and more visually dense. I am interested in finding and creating calm shelters from the storm, places where quiet and solitude is encouraged and inner contemplation possible.”

Kenna develops every print by hand and when he has done all he can with camera and darkroom to achieve his vision, he turns it over to Silva to polish and perfect. Working with brush and ink, Silva ensures that there are no blemishes or unevenness in the background and removes unwanted objects or distractions.

“I’m Photoshop Version 0.0,” jokes Silva while performing his meticulous work under magnification. Every part of their process is by hand, so each print is unique. When done, Silva mounts the prints for display and distributes them to galleries and museums. Silva also helps edit Kenna’s books and organizes his exhibitions.

Local exhibit on display now

Kenna’s current exhibition, TREES 1973- 2023, will be on display at PLACE Galeria, 735 NW 18th Ave, through July 14th, M-F from 10-6. Silva will be there every Thursday from 4-6pm, to answer questions and share an additional 40 prints not on display.

“For 23 years I have made these exhibitions that travel far and wide, so I asked, ‘How about we do an exhibition in my town?’ Then I met the kind folks from PLACE and they were thrilled to host a Kenna exhibition. They said, ‘Tell us what walls you want and what color they should be and we’ll make them for you. So I had the creative freedom to sculpt a dream Kenna exhibition.”

Silva chose wild red walls and stark white walls and decided where each piece goes.

“I put the prints on the ground and started moving them around, until I got a photo poem that I liked. [The result] was one large poem with individual songs within.”

Silva has lived in Concordia since 2007, refusing to relocate because he loves our neighborhood and the small-town feel. For more information on Kenna’s photography, visit www. michaelkenna.com.

Kepper Petzing has lived in Concordia for 40 years where, with their partner Lowen, they raised two children. They love trees and Mark and Michael’s work.

By Kathy Crabtree | Contributing writer

If you are looking for a creative solution for a curious student who is struggling in a mainstream learning environment, Paige Wright, a local clay and ceramic artist, might have a suggestion for you.

Wright admits that she was not stellar at academics but found success and a tool to express herself in clay. That experience built confidence in her ability to become better at reading and writing skills, as well as a reason to study them.

Her sculptures are eclectic collectives of creativity. She has an appreciation of multi-faceted incongruent busts. Her “kiss-kiss” bust consists of a male head encased in a helmet covered with flowers. Her works have been professionally showcased at various venues in the Portland area.

Inspired as a 9-year-old art student of Margarita Leon, a noted art educator in Northwest Portland, Paige continued her ceramic studies in high school, mentored by Cindy Irby. She completed her undergraduate degree at the University of Montana, followed by a two-year residency at the University of Washington, and earned a master’s degree with an emphasis in ceramics.

“My mission is to make space so that people can build a relationship with their creative practice,” she said. “It takes time to see what is inside one’s head and to react to what one can create from that.”

She offers art lessons for students between the ages of 7 and 16 who desire a greater art experience than their current school offers. Adult classes will be offered for those seeking to refresh their creative practice by expanding their ideas with exposure to clay and three-dimensional building. Small group classes are scheduled weekly, and private lessons and special project sessions can be arranged. Group parties are ideal for birthdays or corporate team building.

Along with her classroom offerings, Paige is a full-time multi-disciplinary artist, currently available for commissions ranging from portraits in ceramics, house-number tiles, drawings and paintings with experience in production pottery and large-scale murals. Consultation in ceramic professional practices, glaze formation, documentation photography and technical envelopment are also available.

Interested students can find her Lil Studio Classroom, 3522 NE Liberty St., adjacent to her home. “The studio-classroom designation offers a two-fold purpose,” Wright said. “A studio calls to action the art of creating while a classroom offers a space for growth.”

She also plans “U-paint” group fun creative classes, summer art camps and figure-in-clay workshops with dates to be announced.

Classes are forming now and are two hours long and sold in 10-class bundles on a rolling basis, ongoing so a student can re-register.

Kids (7-16) Art Lessons: Sundays, 1–3 p.m. or Tuesdays, 4:30–6:30 p.m.

Adult Art Lessons: Mondays 1–3 p.m.

Registration applications can be found at paige@thewrightclay.com. For information, call Paige Wright at 406-544-7472. Kathy is a recent transplant from the Midwest and, as she reports in CNews, things are a lot different here.

Our neighborhood is home to Carey Lee Taylor, an accomplished poet and photographer whose inspirational sources include what she sees in Concordia. Take her poem “A Woman on 22nd and Killingsworth.” Taylor explains how she came to write it after a walk in Concordia.

“‘A Woman on 22nd and Killingsworth’ was inspired when walking home from Alberta Park one winter morning at the beginning of the pandemic,” she says. “The image of this couple stayed with me all day, and the poem, I hope, gave them a chance to be seen with the dignity they deserved.”

Taylor is the author of The Lure of Impermanence (Cirque Press 2018). She is a Pushcart Prize nominee and winner of the 2022 Neahkahnie Mountain Poetry Prize. Her work has been published in Ireland and the United States, and she holds a master of arts degree in school counseling. She has lived in the Concordia neighborhood for four years. You can learn more about her at careyleetaylor.com.

A Woman on 22nd and Killingsworth

sits in a wheelchair
outside Cornerstone
Community Church —

foam curlers in her
hair, she pulls a tube
of lipstick from her purse.

At the curb
an orange extension cord
snakes from the open door

of a duct-taped camper
to an electrical outlet
beside her.

An unshaven man steps
from the camper, moves
towards her, bends

down, and kisses
all that pink—bedded in her hair
like Magnolia blossoms,

clasped
to her head
like a crown.

Concordia Neighborhood #3

It makes no difference to the sky
what happened here,

or the east wind taking its
much-needed break.

Even St. Michael
was taking vacation

from shattered glass
and squeal of tire

seated at the bar of some
scuzzy seaside honky-tonk,

on the ebb tide
of his third beer.

Halfway down an unassuming alleyway between 27th and 28th avenues heading north from Killingsworth and on the backside of a bike shed, you will find two large framed paintings. Dubbed the Allery, a play on the words “gallery” and “alley,” the work is the brainchild of Jennifer Jones, one of the owners of the residence.

Jones is a collage artist, and during Covid times she spent a lot of her time walking through the neighborhoods. Combining her love of public art and engaging her neighbors and friends with events like “Movies on the Bike Shed” nights, she decided to start this unique gallery in her alley.

Kristen Diederich is the first artist to exhibit on the framed 2′ x 8′ panels. The artist lives in the neighborhood and painted her flower-inspired work directly on the installed wood panels.

Openings for the Allery will be complete with wine and cheese and fall on the traditional gallery opening dates of Last Thursdays.

Jones is looking for other interested artists with the goal of changing out the artwork each month or so. The plywood surface is supplied by the Allery and can be taken to a studio and painted before being installed. All work is for sale, but be aware that the finished work will be open to the elements. Jones plans to start a Facebook page to keep everyone updated on this unique community gallery space.’

Michel Reeverts, aka Maquette, holds a master of arts degree in art education and serves Alberta Art Works as director and Alberta Street Gallery as a board member. She is also a practicing artist. Contact her at Maquette@AlbertaArtWorks.org.

What to do when you retire? Sharon Wagner was faced with just that problem seven years ago when she left the U.S. Forest Service and decided to learn to work with clay.

Drawn to the sensual feel and pliability of the material, she focused on hand building rather than using a clay wheel. Although she has created functional wares, she prefers to create sculptural works.

Wagner lives on a bike path, with her house located on the corner of Alberta Court and NE 37th Avenue. Her yard is alive with windsocks and whirligigs, and in the tree near the road is a life size figure of a boy made out of clay.

Using photos of her friend’s twin boys, Wagner made “Dream Boy” in four clay pieces: the head, two halves of the torso plus a leg and a backpack that sits at the foot of the tree. The pieces were created at the Multnomah Art Center and assembled after the last firing.

The work took her a year to finish with months needed to dry the clay before it could go into the kiln to be fired. One bubble left in the clay or even residual moisture could cause the clay to break or even explode when fired.

“One of the biggest challenges of making Dream Boy had to do with the shape of the tree and the shrinkage of the clay,” she said. The clay she used shrinks almost 11% from wet clay after it is fired, making it a real challenge to ensure the work would sit perfectly into the crux of the tree.

Through her big front window, Sharon can watch as people enjoy her artwork. “The public space between our houses and the streets is ours to take care of for the good of everyone. This is my way of taking care of it.”

Michel Reeverts, aka Maquette, holds a master of arts degree in art education and serves Alberta Art Works as director and Alberta Street Gallery as a board member. She is also a practicing artist. Contact her at Maquette@AlbertaArtWorks.org.

Born in Kyiv, Ukraine, Anya Mironets Keyes moved to the United States when she was 16. Her family has lived in Ukraine for 14 generations.

“When I moved to the U.S. I was a junior in high school,” she said. “I didn’t speak English then and to get enough credits to graduate I took as many art classes as possible because I didn’t have to speak. My AP art teacher taught me fundamentals and instilled in me the idea that I could be an artist one day.”

Being a first-generation immigrant, a career in arts was not a reliable choice, so she studied and became a pharmacist. Nonetheless, Keyes continued pursuing her art, creating paintings in oils and watercolors, centered around her Ukrainian identity.

Her experiences as a first-generation immigrant, a foreign-born mother, friend and American citizen are expressed in her atmospheric paintings, the most recent of which feature images of her fellow Ukrainians.

“I enjoy the creativity and solitude that comes with art,” she said. “It’s meditative and restorative. It truly is the best fit for me.”

When the war in Ukraine erupted, she felt helpless watching the senseless devastation of her home country and decided to create a body of work and donate all proceeds to help volunteer groups in Ukraine, especially in underserved areas. Her portraits, mostly of women, are currently available for purchase.

For more information, visit AnyaKeyes.com or visit the Blind Insect Gallery, 2841 NE Alberta St.

Michel Reeverts, aka Maquette, holds a master of arts degree in art education and serves Alberta Art Works as director and Alberta Street Gallery as a board member. She is also a practicing artist. Contact her at Maquette@AlbertaArtWorks.org

By Rob Cullivan | CNews Editor

Concordia resident Amy Daileda will showcase a group of paintings in “Micro Flora,” an exhibit at Flour Market Bakery, 5507 NE 30th Ave., from Wednesday, May 4, through Sunday, May 29. A reception will take place from 5-8 p.m. Friday, May 6. Admission is free and open to the public.

Daileda said her paintings are being exhibited “mere blocks from where my subjects grow. Flora is a list of the plant life of a particular area, period or habitat. These acrylic paintings represent part of the flora of my Northeast Portland, Oregon native, edible, organic garden.”

The artist used macro, or close-up photos of plants to help her create her works. “I also study their botany, edible and medicinal uses, history and beauty, and try to connect to them using all of my senses,” she said. “Using acrylic paint on locally made wood panels, I painted them while working next to the studio window that overlooks our organic garden where they grow.”

The exhibit is part of the Taking. Up. Space. Initiative facilitated by the Artist/ Mother and Thrive Networks. Taking Up Space or T.U.S. is a female focused community global art exhibition taking place in more than 80 locations in May. You can learn more about them by visiting the #takingupspace2022 hashtag on Instagram.

Daileda has lived in Concordia for 21 years and is a clothing designer creating wearable art for even longer under the name Vivid Element. She said that this is her first painting exhibit since 1993.

“During the pandemic I started painting again,” she said. “Since we were quarantined at home, I used the details of plants and flowers I grow in our Backyard Habitat Certified garden as subjects. I studied painting in college and am now inspired to take it further. I’m thrilled to be showing at this great new bakery in our neighborhood.”

For more information, visit VividElement.com/art_event/micro-flora.

Living as a street mime in Paris, Bruce Marrs was influenced by the use of masks in theater productions. A year later he tried his hand at creating masks while working with the Oregon Dance Theatre.

Although the show was not a success, it inspired him to want to learn more about the art form.

Bruce took an intensive class in commedia del’arte – a form of theater using masks that is both scripted and improvised – at Del’Arte International School of Physical Theatre.

He was hired to teach dance, mime and mask making. He worked at the school for the next 25 years.

During the summers Bruce worked at county fairs as a stilt character, dancer, clown or whatever was needed. Rather than changing makeup for each character, he decided to create a set of papier-mache masks from brown grocery bags.

The Pickle Family Circus and Jeff Raz of the Clown Conservatory in San Francisco commissioned a set of masks and, through word of mouth, there became a demand for his handmade character masks.

Bruce’s mask set of 10 characters became popular with universities, high schools and guest teachers all over the U.S., Canada, Scandinavia, India, England and Australia. Touring companies asked for custom sets for their shows.

He made and sold thousands of masks to sustain his family through the summers when school was not in session.

The masks are transformative for the actor, according to Bruce. “They are magic. The same mask on a different actor will be a different personage.

“For teachers, it’s always new and surprising. For students, they are, at first, invited to be other than themselves. Then they become responsible to discover and serve that new life.”

Michel Reeverts, aka Maquette , holds a master of arts degree in art education, serves Alberta Art Works as director and Alberta Street Gallery as a board member. She is also a practicing artist. Contact her at Maquette@AlbertaArtWorks.org