For this month’s photo feature, we learned firsthand how newspapers are printed.
Every month, the media team at Concordia News finalizes the layout of the newspaper and sends it for printing. Blake Jensen is the Operations Manager at Pamplin in Gresham, where the majority of Concordia News editions have been printed.
“The printing process has changed very little in 70 years,” says Jensen.
On August 6th, 1945, the U.S. dropped the atom bomb on Hiroshima, Japan, hoping to end World War II. The city was destroyed, all the trees were blackened and scorched, and locals were told that nothing could grow there for 75 years.
But the next spring, about 170 trees started leafing out. They came to be known as hibakujumoku; “survivor trees,” and the city of Hiroshima appointed arborist Chikara Horiguchi to care for them.
“About 15 years ago, a group of Hiroshima residents began to collect seeds from these aging trees,” Jim Gersbach, Public Affairs Specialist for the Oregon Department of Forestry, tells the story. “The seeds were sorted, cleaned and packaged at the Hiroshima Botanical Garden by volunteers and then distributed to some 40 countries.” Gersbach lives in Concordia and helped facilitate the Hiroshima Peace Trees project with Green Legacy Hiroshima, the nonprofit that was created for the cause.
Gersbach also serves as a board member for Oregon Community Trees (OCT), a non-profit aimed at promoting healthy urban forests. OCT took on the project of distributing the Hiroshima Peace Trees and Gersbach suggested offering the trees to commemorate the 75th anniversary of the end of World War II. The trees were first offered to official Tree City USA communities, cities that met stringent criteria to be considered tree-friendly. There are about 70 in Oregon, and close to half of them wanted a peace tree. Today the state of Oregon has the densest concentration of Hiroshima Peace Trees outside of Japan.
53 gingko and persimmon saplings were successfully germinated by fellow OCT board member Mike Oxendine. The saplings were given at no cost but recipients were required to plant the trees in public places and hold public ceremonies. Most ceremonies were postponed during the pandemic and when they could finally take place, took on many different forms. Sometimes city mayors or school superintendents gave speeches, poets read works, taiko drummers drummed or traditional koto musicians played, or local school children gave presentations.
By last year, Gersbach, some of his fellow OCT board members, and Kristin Ramstad at the Oregon Dept. of Forestry had found homes for all of the trees. To date, 49 entities in more than 3 dozen Oregon communities have planted peace trees. They are located at city parks, schools, botanical gardens, arboretums, cemeteries, and churches. Portland has three; two at Hoyt Arboretum, and one at Portland State University.
And the trees mean different things to different communities. Umpqua Community College in Roseburg planted one on the site of the 2015 school shooting there. The city of Talent held its tree ceremony shortly after the September 2020 Almeda fire. Many Japanese-American families in Oregon trace their ancestry to emigrants from Hiroshima, so there were also plantings by Japanese-Americans in Hood River, Ontario and Klamath Falls.
“These trees are venerated because they are resilient survivors,” says Gersbach. “Each of these trees is an ambassador of peace. No one in the wake of the war and tragedy of Hiroshima expected Japan and the U.S. to become friends. But even bitter enemies can work to become friends.”
In November, Gersbach visited Hiroshima to thank Green Legacy Hiroshima staff for sending their seeds to Oregon and to visit the two survivor trees that were parents of the ones now growing in Oregon. A filmmaker named David Hedberg joined Gersbach on the trip and is hoping to create a documentary about this project called “Seeds of Peace”. It should be completed in time for the 80th anniversary of the Hiroshima bombing in 2025. Stay posted for information on a viewing in Concordia.
Dina Sage is the Managing Editor for CNews and enjoys engaging in the arts and outdoor activities. She lives with her husband, daughter and their pets.
Yankl Falk says it has “very distinctive colors and flavors.” Sophie Enloe describes it as “both deeply sad, and deeply happy.”
What they’re talking about is traditional klezmer music. And this month, Concordians get to hear it for themselves at the second annual Portland Klezmer Music Festival.
The festival, slated for November 2–5 at various locations citywide, will include concerts, jam sessions, educational workshops and a dance party. You can visit bubbaville.org/klezmer for the full lineup of venues and events.
What is Klezmer Music?
Klezmer originated in the Middle Ages among the Jews of Central and Eastern Europe, where it was performed at weddings and other social events. Over time, it took on vestiges of Baroque, Turkish, Romanian, and Greek music as well as German and Slavic folk dancing.
Falk, a Portland clarinetist for over 40 years who’s been described as a ‘luminary of the klezmer world,’ concedes that in 19th century Europe, klezmer’s chief instrument was the fiddle.
But the sound and style of klezmer, like any aspect of traditional culture, changed and evolved over the years. By the early 20th century, klezmer had become popular in the US and by the 1930s, ensembles began including musicians that were influenced by the Big Band and early jazz music of that era. Klezmer bands became larger, developed hybrid forms, and the clarinet was now klezmer’s dominant sound. American Jews were assimilating and so was their music.
As klezmer grew in popularity, the bands got smaller. Falk believes this was because of a dearth of funds to pay musicians during the Depression, combined with improvements in recording equipment. Whatever the reason, the music’s popularity eventually waned until it got rediscovered and revitalized in the 1970s.
Today, klezmer bands can be small or large, include a variety of wind and string instruments, and play traditional, modern, or hybrid forms.
The Festival
The Portland Klezmer Festival was created by Bubbaville, a local nonprofit aimed at educating the public and encouraging appreciation of traditional music and dance. Since its founding in 2008, Bubbaville has hosted dances, concerts, campouts and competitions for artists and patrons of Cajun, country, and other traditional musical forms.
It was Enloe, a fiddle player sitting on the Bubbaville board, who came up with the inspiration for a klezmer festival in 2019. She and treasurer Suzanne Savell wrote grants and scheduled musicians for the first event, scheduled to take place in April 2020. But it got derailed by the COVID pandemic, Enloe says, “so we did some online workshops for musicians instead.”
The Sound of History
Both Enloe and Falk grew up in Jewish homes and have loved klezmer music since they were children.
Enloe’s father was a cantor; a song leader for Jewish worship services, and she says “he would play klezmer CDs for me starting when I was six or seven. When I first heard it, I had a feeling of it sounding familiar, like it was ‘my music’.”
Adds Falk: “It’s deeply personal—it’s the fabric of my upbringing. When I play klezmer, I feel my grandfather’s presence, and I want to pass that down to my grandchildren.”
The festival’s opening concert — featuring Falk and his current band, The Carpathian-Pacific Express as well as The Bieszczady Mountain Boys — is scheduled for 7:30 p.m., Thursday, November 2nd at Alberta Street Pub (1036 NE Alberta St.). The entrance fee is on a sliding scale from $12-15.
Why should you go? Because Falk says, “klezmer is fun, exciting to watch live, and it’s unlike anything you’ve probably heard before.
Dina Sage is the Managing Editor for CNews and enjoys engaging in the arts and outdoor activities. She lives with her husband, daughter and their pets.
Last August, La Salle 10th grader and Vernon School alum Will Hambuchen approached his principal, Ben Keefer, with the desire to complete an Eagle Scout project that would help the school. A few ideas were discussed and eventually they agreed on building a bike shelter. Vernon already had one bike shelter on site, but Hambuchen felt it wasn’t enough, and so they decided on adding one next to it.
“There is never enough room for all the bikes at school, especially when it rains.” says Hambuchen, 15. Hambuchen regularly bikes to school and his two siblings will attend Vernon in the fall.
Hambuchen is a Life Scout and member of local Scouts Boy Scouts of America (BSA) troop #117. Through BSA, he and other boys and girls earn merit badges to advance through the scout system. The culmination of this advancement is becoming an Eagle Scout which requires a service project.
And completing an Eagle Scout project is no small feat. Projects must be driven by the scouts themselves and require formal cost estimates and plans, board approval, coordination with other non-profits involved, donated funds and materials and the use of volunteers. The bike shelter at Vernon School is one such project.
The Vernon School PTA approved the project provided that the new bike shelter be identical to the one that was already there. Hambuchen did not have the original blueprints, but the other shelter was there so, in fall 2022, Hambuchen and his dad Steve went out to take pictures, get measurements, and create a materials list for the new bike shelter.
“Almost all of the materials for the bike shelter were donated” says Hambuchen, who succeeded in securing donations from local companies Parr Lumber and Mr. Plywood. The Vernon PTA encouraged Hambuchen to reach out to PBOT, who offered to donate and install the metal bike racks.
“People were very willing to help out” says Hambuchen, who says it was not hard to secure donations. The bike shelter was built over a 3-day weekend in early June. About half a dozen Vernon school students and alumni came out to help with drilling holes in concrete, heavy lifting, leveling and squaring everything.
The bike shelter is an 8 X 10-foot room made with pressure treated wood. The last step, which will be completed this month, is installing the 15 or so metal bike racks.
When asked what his biggest learning experience was, Steve Hambuchen says that with all the communication and coordinating, his son’s skills in writing and reading email communications “improved dramatically.” The new bike shelter will be completed and ready to use by the start of the 2023-2024 school year.
Dina Sage is the Managing Editor for CNews and enjoys engaging in the arts and outdoor activities.
Chris Yen never expected his sports-heavy childhood to lead to a career, but that’s exactly what happened.
In 2017, Yen opened Laundry, a sports retail store carrying hundreds of vintage jerseys, hats and tees. But Laundry, 1723 Alberta St., wasn’t a product of years of collecting and planning; Yen describes it as a “happy accident.”
“I was just trying something out; it was an experiment,” says Yen, 40, who holds a degree in English Literature and previously worked in publishing. The experiment succeeded: in 2017, Willamette Week called Laundry “the most original vintage shop Portland has seen in years.”
The shop has since worked with professional stylists to outfit stars like LeBron James and Odell Beckham, Jr., to name just a few. And in March of this year, it moved from Chinatown to its new home on Alberta Street. “I’m happy with the prospect of the Concordia neighborhood,” says Yen, a Phoenix, AZ, native and father of two. “There’s greater access to foot traffic and to residential families and children.”
On a rainy-May Monday, I decided to check out the store for myself. In its windows hang brightly colored items of clothing on a 1920s antique rack from a German department store. I step inside. The small shop is white and clean. In the middle of the front room, a 1960s metal garment conveyor holds more colorful jerseys. On the back wall, dozens of vintage ball caps line clean shelves below traditional Chinese woodwork. It’s clear that Laundry is something different and special.
Because sports retail companies didn’t start manufacturing broadly for fans as consumers until the 1980s [and not before then] Laundry carries mostly vintage items from that era until today. Yen estimates that 99% of his merchandise is sourced from within 30 miles of Portland.
“We buy from professional pickers and resellers, and sometimes from regular folks who have outgrown an article of clothing or a team,” says Yen. He sells lots of Damian Lillard, Brandon Roy, and Rasheed Wallace jerseys, but also carries merchandise from lesser-known sports team including The Breakers, who played football for the United States Football League in Portland circa 1985.
Also represented are the two women’s basketball teams that have played locally; Portland Power, an American Basketball League team active from 1996- 1998, and Portland Fire, a WNBA team from 2020-2022.
Yen grew up in a Chinese family that first immigrated to the US in the 1870s. Under the Chinese Exclusion Act of 1882 and The Geary Act of 1892, Chinese immigration was restricted and the Chinese already here required licenses to work. Opening up and working in hand laundries enabled them to support their families because it required no English and whites considered the work undesirable.
Yen says he chose the name Laundry because it connotes accessibility, and it emphasizes the strong impact clothes have on how people view each other. In addition, Yen wished to pay homage to the Chinese laundries that form an integral part of his cultural heritage. That tribute is also reflected in the store’s décor, with its gorgeous Chinatown wood carvings and big red lantern in back.
The store is open 10 a.m. to 8 p.m. Saturdays and 11 a.m. to 7 p.m. every other day. Yen says he’s excited about the new location and hopes to sell some presents for Father’s Day “The aim of the store is to try to tell a story.”
Dina Sage is thrilled to be the new editor for CNews. She’s looking forward to paddle boarding, bike riding and tasting new ice cream flavors this summer.
